The Dressmaker. A best-selling novel written by Rosalie Ham and recently turned into an award-winning film starring Kate Winslet and Liam Hemsworth. It is a story set in the 1950's, in the fictional outback town of Dungatar, Australia. Tilly played by Kate returns to her hometown after a successful career in Paris as a dressmaker to tend to her ill mother and in the process transforms the townspeople with her designs. The tale has numerous themes, none more prevalent than fashion itself and its undeniable power of inner and outer self renewal.

And it is these very fashions, a total of fifty haute couture creations by costume designers Margot Wilson and Marion Boyce that are currently on display at the Rippon Lea Estate in Melbourne.

And last Thursday night I had the extreme pleasure of attending an exclusive bloggers preview to marvel at the incredibly iconic pieces showcased in the movie, and meet with the costume designer and author themselves.

The exhibition, now open to the public to peruse, is on display at the Rippon Lea House and Gardens. The estate itself is a gloriously palatial mansion built in the 1960's. Truly a most exquisitely luxe locale, both on the inside and out and one that is perfection paired with these dazzling vintage pieces. Walking through the grounds and into the building, surrounded by interior architecture and design of a bygone era and then accompanied by specific sartorial pieces, the experience as a whole truly catapults you back in time, and dare I say back to Dungatar in the 1950's.

The couture is displayed so tastefully, each with an accompanying backdrop, relevant to scenes from the movie itself. Laid out like a story awaiting to be read, the exhibition does a tremendous job in revealing pieces inspired by Parisian couture of the 1950's, delicately highlighting detail and the precision involved in the process of costume design and its development for the film.

And being in such close proximity to breathtaking vintage pieces is a real joy for any sartorial admirer.

Discerning and detecting every stitch, every weave and fabric embroidery is truly sensational for the senses. The resplendent array of lace and colour, the construction and artisanship of pieces were quality is clearly evident. One thing is for sure, they just don't make fashion like this anymore. Which in turn is quite saddening. Especially as women, the fact that we've become so accustomed to poorly and unethically made clothing, that we settle for ordinary and mass production because the media tells us so or simply because financially, some of us have no say in the matter. The designs from The Dressmaker will leave you very much aware and perhaps longing for the days of fanfare, of well fitted and produced clothing.

Aside from being able to inspect each piece, I also had the pleasure of conversing with Marion for second time and with the author, Rosalie Ham who was a delight to meet. And as an aspiring author, her energy and enthusiasm for her work, especially in having it produced into a film is utterly contagious. She is sincerely proud as punch and you can't help but revel her elation.

When it comes to the actual novel, the themes in the story were inspired by her everyday life and her displeasure for the alarming amounts of hypocrisy, bigotry and vanity she witnessed around her. Something which was a common matter, regardless of wherever you found yourself in the world.

Her mother was a dressmaker, as most women were back then. Though the many ensembles she illustrated in her novel were far from inspired by her own mothers humble designs. In fact she actually drew musings for the fashions from midday movies she watched on television or via numerous books she'd explored at libraries. She had clear and concise visuals for each character to which were dressed accordingly. She humbly delights in these pieces, feeling rather accomplished in terms of fashion design. However in seeing her story come to life and the ravishing pieces that Marion had acquired and created she began to view her own inspirations as plainly modest, something as a writer I find to be amusing.

When it comes to the ensembles in the movie, she doesn't have just one favourite, rather finding herself drawn to various pieces and all for individual reasons. Something which mostly changes on a daily basis. For the moment, she adores the green silk crepe piece that character Marigold wore. And of course the red polka dot number, a vintage Nina Ricci that pirouette's behind her also makes her swoon.

When it came to her work being transformed into film, she had complete faith in producer Sue Maslin. Having grown up in the same community and even going to school together, Rosalie knew Sue would be able to translate and correlate her story onto the big screen like no one else. While she gave her free reign she did have one stipulation, that her family, friends and herself got to be extras on the film. Something which was happily granted.

And while there were noticeable differences between the book and film Rosalie has no qualms. Sue Maslin converted the story perfectly and Margot and Marion's costumes were on par with the overall image and feel of her story. Ultimately Rosalie had no problem handing her story over as she patiently waited for her great moment, on screen with none other than Kate Winslet.

And of course Marion Boyce, one of the astounding individuals behind the incredible array of costumes and couture acquired for the movie. Her passion and adoration for the era, for style and accoutrement really shine in these designs. Her ability to breathe life into forgotten pieces, making them covetable and very much wearable is an enviable skill.

Though the beginnings of this project were far from effortless. For Marion, it was a challenging process trying to marry high end couture with a desolate and unglamorous landscape. However in an unexpected turn of events it was this very environment which ultimately inspired her. That and the photographic work of Richard Avedon. From the colour palette at the beginning of the film, an assortment of dusty browns and rusted hues to the forms and flow of each ensemble, something that inspired by the graceful flight and movement of birds which was ubiquitous on set. Correlating their movement with the characters as a type of preening, almost peacock like in appearance and mimicking this with the use of shawls.

There were a number of unique vintage pieces acquired for the movie, all located from various sources worldwide. Out of these, Marion's favourite piece is red polka dot number, an original vintage Nina Ricci, later worn by Gertrude. One that also happens to be my favourite too. Another stand out piece was the matador jacket worn by Hugo Weaving on the film. Another vintage beauty sourced from Spain and one that helped inspire the design for the pants to accompany it. The jacket is a resplendent work of art, thick in adornment and gold embroidery. The essence of opulence.

While Marion had adored pieces, there was one that she felt most connected to and that was an organza cape, a piece created by John Van Gastel. 

Fabric has a unique way of transforming and an ability of revitalising the wearer. While in relation to todays fashions, this could be somewhat questionable. The style of yesteryear and designs created and on display for The Dressmaker are very much palpable. Clothing was made to measure, made to endure. It was a luxury more than necessity and something the wearer wore with pride. Pieces were indeed made to last and they were unique nonetheless. Unlike todays mass production of fast fashion.

I like finding pieces. I find a lot of fashion totally dictates the way you have to wear it, and I like to find pieces that you can then translate in different ways and reformat in different ways and then wear it the way you want instead of the way someone wants you to be.

As Marion points out, todays style we all seem to blend as one and these pieces don't last long before becoming riddled with annoying small holes and loose threads; worst yet easily becoming dated. The 1950's were incredibly glamorous, individual style was commonplace and not something that was desperately attempted to be attained. There's no wonder why this period was highlighted. A costume designer really needs to understand the material and the script before them to be able to construe. The rich use of silk and paper taffetas, lace and embroidery really pay homage to a time of pure artistry and finesse. 

The Dressmaker exhibition is held at Rippon Lea House and Gardens and runs from the 22nd of April until the 31st of July. Tickets are available now online or at the venue.

-Sxx



[ This has been a sponsored post brought to you by Nuffnang and The Dressmaker. Words and opinions expressed above are my own ]










The Dressmaker. A best-selling novel written by Rosalie Ham and recently turned into an award-winning film starring Kate Winslet and Liam Hemsworth. It is a story set in the 1950's, in the fictional outback town of Dungatar, Australia. Tilly played by Kate returns to her hometown after a successful career in Paris as a dressmaker to tend to her ill mother and in the process transforms the townspeople with her designs. The tale has numerous themes, none more prevalent than fashion itself and its undeniable power of inner and outer self renewal.

And it is these very fashions, a total of fifty haute couture creations by costume designers Margot Wilson and Marion Boyce that are currently on display at the Rippon Lea Estate in Melbourne.

And last Thursday night I had the extreme pleasure of attending an exclusive bloggers preview to marvel at the incredibly iconic pieces showcased in the movie, and meet with the costume designer and author themselves.

The exhibition, now open to the public to peruse, is on display at the Rippon Lea House and Gardens. The estate itself is a gloriously palatial mansion built in the 1960's. Truly a most exquisitely luxe locale, both on the inside and out and one that is perfection paired with these dazzling vintage pieces. Walking through the grounds and into the building, surrounded by interior architecture and design of a bygone era and then accompanied by specific sartorial pieces, the experience as a whole truly catapults you back in time, and dare I say back to Dungatar in the 1950's.

The couture is displayed so tastefully, each with an accompanying backdrop, relevant to scenes from the movie itself. Laid out like a story awaiting to be read, the exhibition does a tremendous job in revealing pieces inspired by Parisian couture of the 1950's, delicately highlighting detail and the precision involved in the process of costume design and its development for the film.

And being in such close proximity to breathtaking vintage pieces is a real joy for any sartorial admirer.

Discerning and detecting every stitch, every weave and fabric embroidery is truly sensational for the senses. The resplendent array of lace and colour, the construction and artisanship of pieces were quality is clearly evident. One thing is for sure, they just don't make fashion like this anymore. Which in turn is quite saddening. Especially as women, the fact that we've become so accustomed to poorly and unethically made clothing, that we settle for ordinary and mass production because the media tells us so or simply because financially, some of us have no say in the matter. The designs from The Dressmaker will leave you very much aware and perhaps longing for the days of fanfare, of well fitted and produced clothing.

Aside from being able to inspect each piece, I also had the pleasure of conversing with Marion for second time and with the author, Rosalie Ham who was a delight to meet. And as an aspiring author, her energy and enthusiasm for her work, especially in having it produced into a film is utterly contagious. She is sincerely proud as punch and you can't help but revel her elation.

When it comes to the actual novel, the themes in the story were inspired by her everyday life and her displeasure for the alarming amounts of hypocrisy, bigotry and vanity she witnessed around her. Something which was a common matter, regardless of wherever you found yourself in the world.

Her mother was a dressmaker, as most women were back then. Though the many ensembles she illustrated in her novel were far from inspired by her own mothers humble designs. In fact she actually drew musings for the fashions from midday movies she watched on television or via numerous books she'd explored at libraries. She had clear and concise visuals for each character to which were dressed accordingly. She humbly delights in these pieces, feeling rather accomplished in terms of fashion design. However in seeing her story come to life and the ravishing pieces that Marion had acquired and created she began to view her own inspirations as plainly modest, something as a writer I find to be amusing.

When it comes to the ensembles in the movie, she doesn't have just one favourite, rather finding herself drawn to various pieces and all for individual reasons. Something which mostly changes on a daily basis. For the moment, she adores the green silk crepe piece that character Marigold wore. And of course the red polka dot number, a vintage Nina Ricci that pirouette's behind her also makes her swoon.

When it came to her work being transformed into film, she had complete faith in producer Sue Maslin. Having grown up in the same community and even going to school together, Rosalie knew Sue would be able to translate and correlate her story onto the big screen like no one else. While she gave her free reign she did have one stipulation, that her family, friends and herself got to be extras on the film. Something which was happily granted.

And while there were noticeable differences between the book and film Rosalie has no qualms. Sue Maslin converted the story perfectly and Margot and Marion's costumes were on par with the overall image and feel of her story. Ultimately Rosalie had no problem handing her story over as she patiently waited for her great moment, on screen with none other than Kate Winslet.

And of course Marion Boyce, one of the astounding individuals behind the incredible array of costumes and couture acquired for the movie. Her passion and adoration for the era, for style and accoutrement really shine in these designs. Her ability to breathe life into forgotten pieces, making them covetable and very much wearable is an enviable skill.

Though the beginnings of this project were far from effortless. For Marion, it was a challenging process trying to marry high end couture with a desolate and unglamorous landscape. However in an unexpected turn of events it was this very environment which ultimately inspired her. That and the photographic work of Richard Avedon. From the colour palette at the beginning of the film, an assortment of dusty browns and rusted hues to the forms and flow of each ensemble, something that inspired by the graceful flight and movement of birds which was ubiquitous on set. Correlating their movement with the characters as a type of preening, almost peacock like in appearance and mimicking this with the use of shawls.

There were a number of unique vintage pieces acquired for the movie, all located from various sources worldwide. Out of these, Marion's favourite piece is red polka dot number, an original vintage Nina Ricci, later worn by Gertrude. One that also happens to be my favourite too. Another stand out piece was the matador jacket worn by Hugo Weaving on the film. Another vintage beauty sourced from Spain and one that helped inspire the design for the pants to accompany it. The jacket is a resplendent work of art, thick in adornment and gold embroidery. The essence of opulence.

While Marion had adored pieces, there was one that she felt most connected to and that was an organza cape, a piece created by John Van Gastel. 

Fabric has a unique way of transforming and an ability of revitalising the wearer. While in relation to todays fashions, this could be somewhat questionable. The style of yesteryear and designs created and on display for The Dressmaker are very much palpable. Clothing was made to measure, made to endure. It was a luxury more than necessity and something the wearer wore with pride. Pieces were indeed made to last and they were unique nonetheless. Unlike todays mass production of fast fashion.

I like finding pieces. I find a lot of fashion totally dictates the way you have to wear it, and I like to find pieces that you can then translate in different ways and reformat in different ways and then wear it the way you want instead of the way someone wants you to be.

As Marion points out, todays style we all seem to blend as one and these pieces don't last long before becoming riddled with annoying small holes and loose threads; worst yet easily becoming dated. The 1950's were incredibly glamorous, individual style was commonplace and not something that was desperately attempted to be attained. There's no wonder why this period was highlighted. A costume designer really needs to understand the material and the script before them to be able to construe. The rich use of silk and paper taffetas, lace and embroidery really pay homage to a time of pure artistry and finesse. 

The Dressmaker exhibition is held at Rippon Lea House and Gardens and runs from the 22nd of April until the 31st of July. Tickets are available now online or at the venue.

-Sxx



[ This has been a sponsored post brought to you by Nuffnang and The Dressmaker. Words and opinions expressed above are my own ]










69 comments

  1. The location and the pieces are beautiful! Can always use some vintage inspo!

    www.wildfirecharm.com

    ReplyDelete
  2. What a gorgeous exhibit! Vintage pieces, like you said, are so well made. You wonder just how long some of the fast fashion will likely last...not very long at all.

    I keep meaning to check out this book - maybe I should check out the movie instead to see all the beautiful fashion! :)

    Away From The Blue Blog

    ReplyDelete
  3. What an enriching experience! It's true that with fast fashion we don't appreciate clothes and the art of making them. The exhibition looks great and through your post I feel as if I had been there with you.

    LUXESSED

    ReplyDelete
  4. I am wowed! great exhibition so it seems!
    Thank you for sharing...
    http://sepatuholig.blogspot.com
    instagram.com/grace_njio

    ReplyDelete
  5. wau stunning exhibition, it is art :)
    galantosfun

    ReplyDelete
  6. Wow this is outstanding and the custome are amazing

    ReplyDelete
  7. Simply wonderful exhibition :)

    http://www.mykindofjoy.com/

    ReplyDelete
  8. Belos looks e imagens arrasou na postagem
    Canal: https://www.youtube.com/watch?v=DmO8csZDARM
    Blog: http://arrasandonobatomvermelho.blogspot.com.br/

    ReplyDelete
  9. Wow, so many beautiful pictures and inspirations!
    Love this post and the designs!
    xo Kathi
    www.theycallmekitten.com

    ReplyDelete
  10. That is incredible, what an amazing experience to have & I absolutely love all the details in every outfit. So much fun to be taken back decades and decades and see that. Lovely! Thanks so much for sharing, girlie. I will double checking if I am following you on social media and if not, I will promptly fix that ;)
    xox Nadia
    http://www.mielandmint.com/

    ReplyDelete
  11. Such an interesting exhibit... I would like to visit it!!!!
    Kisses, Paola.

    Expressyourself

    My Facebook

    ReplyDelete
  12. Absolutely amazing exhibition! I'll be happy to visit it! Sounds and look great! Thanks for sharing S!
    xx
    cvetybaby.com

    ReplyDelete
  13. Oh my gosh! Just such a beautiful exhibit. I wonder if it'll travel internationally. I really want to see this movie so bad. And how lucky are you to be able to talk with both Marion and Rosalie...so jealous:)

    ReplyDelete
    Replies
    1. I'm not sure Emmy Lou. I know it will be traveling around Australia though xx

      Delete
  14. Great Blog post !! Love posts like this <3 keep up the amazing work

    Jadiee'sLittleBlog

    ReplyDelete
  15. I watched this movie a few weeks back but had no idea it was a book too - thoroughly enjoyed it so I'd have loved an opportunity to see this exhibition! Such stunning pieces :) x

    Viva Epernay

    ReplyDelete
  16. Wow, this is so amazing! I feel like you get so many amazing opportunities to meet incredible people :) This is no exception. I absolutely love the pieces seeing from your pictures and I can tell that it is a great exhibit :)

    -Leta | The Nerdy Me

    ReplyDelete
    Replies
    1. I've been feeling #blessed lately ;o)

      Delete
  17. Wow, you know how much I always enjoy your writing, hun... :) The way you put your words together is just so mesmerizing! It's like reading a book. :) I'm so glad you got a chance to attend this event - sounds like it was a truly enriching, exciting experience! I loved looking at all the gorgeous photos of the vintage pieces - you are right, they don't make clothes like that anymore. I like what you said about us settling in for mass produced clothes that are nowhere near as good in quality... It is saddening, although like you said that's just the way the world works these days. I sometimes wish I could go back in time and live in a different era, haha! x Thanks for sharing this lovely post, darling. x

    Kay
    http://www.shoesandglitter.com/

    ReplyDelete
    Replies
    1. I feel the same way. If only time travel were a possibility xx

      Delete
  18. What a fun exhibit! So many gorgeous dresses!

    <3 Shannon
    Upbeat Soles

    ReplyDelete
  19. These photos are awesome!! Great post! xo
    http://publiclivessecretrecipes.com/2016/04/where-to-eat-ge-bistro.html

    ReplyDelete
  20. Really nice! Hope get a chance to read my latest post. Have a great day.

    Style For Mankind
    Facebook
    Bloglovin

    ReplyDelete
  21. Gorgeous photos !
    Kisses
    Marie

    www.whatiwearinlondon.com

    ReplyDelete
  22. the hat aer very nice!!
    To me new post
    TORINO COMICS 2016
    babaluccia.blogspot.com
    bloglovin

    ReplyDelete
  23. Beautiful exhibition!

    http://violettedaily.com

    ReplyDelete
  24. I must have lived under a rock because I hadn't heard of the book nor the movie so far!!!! Thank you for sharing Sonia, very interesting post! Thank you so much for stopping by sweetie :-) Baci, Valeria - Coco et La vie en rose NEW POST

    ReplyDelete
  25. How cool! This is literally a fashion lovers dream.

    Amy Ann
    Straight A Style

    ReplyDelete
  26. Oh wow what a wonderful exhibition. Gemma x
    www.jacquardflower.uk

    ReplyDelete
  27. This look like such a fun and fabulous exhibition
    Beautetude

    ReplyDelete
  28. Immaculate is the only word I can think of for this. Such charm!
    https://www.MARINASAYS.com

    ReplyDelete
  29. What a gorgeous exhibition, I would just die if I could attend and experience the fabrics, the history, and just the aura! As a fashion designer that almost segued into costume design, this exhibit would definitely satisfy that little itch of mine ;)

    xo, alice / T Y P E N U

    ReplyDelete
  30. So beautiful and interesting exhibition! It has to be a very great experience!
    Amazing photos! :)
    xxx
    S
    http://s-fashion-avenue.blogspot.it

    ReplyDelete
  31. Fifty haute couture costumes? Yes please! This exhibition must have been such a great experience, I'm always up for exploring fashion-related exhibitions. Your words in this post are very inspiring by the way Sonia, you're such a great writer.

    aglassofice.com
    x

    ReplyDelete
  32. What an amazing exhibit! I'm drooling over all the pictures. So cool, lady!

    -Ashley
    Le Stylo Rouge

    ReplyDelete
  33. WOW - what a treat to be able to attend !

    ReplyDelete
  34. Great pictures.
    This sound really intressing.
    Wish you a lovely day

    www.kelpasdiary.com

    xx

    ReplyDelete
  35. The Rippon Lea House and Gardens looks like the perfect venue for this exhibit! How cool that you got to interview Marion as well as get up close and personal with all these amazing couture creations.

    ReplyDelete
    Replies
    1. Yes, it was the second time I got to meet and speak to this lady. Very honoured indeed xx

      Delete
  36. These dresses are absolutely gorgeous! I love the vintage flare. Great photos and post.

    Eden | Mint Notion

    ReplyDelete
  37. Never heard of the movie (although idk why, I mean I love Kate Winslet!) but the costumes sure look beautiful. They definitely picked and chose perfectly for the era! Now I want to movie just to see all these beautiful clothes in action :) Thanks for sharing your photos with us!

    Mili

    ReplyDelete
  38. wow great post
    http://carrieslifestyle.com

    ReplyDelete
  39. Ohn dear, thanks. I think that will be an amazing idea because clothes are always useful :D

    So impressive post and photos. Very informative!

    NEW WOMAN TREND POST | Off The Shoulders.
    InstagramFacebook Oficial PageMiguel Gouveia / Blog Pieces Of Me :D

    ReplyDelete
  40. Gorgeous pieces, so glamurous.
    Nina
    http://www.ninasstyleblog.com

    ReplyDelete
  41. Amazing pieces and beautiful pictures :)

    Kisses
    http://ashonfashionary.com/her-curiosity-boho-accessories/

    ReplyDelete
  42. Great post! Love all your photos!
    ~Samantha
    http://goldcoastgirlblog.com

    ReplyDelete
  43. OMG. So pretty. I like!

    ** Join Love, Beauty Bloggers on facebook. A place for beauty and fashion bloggers from all over the world to promote their latest posts!


    INSTAGRAM @BEAUTYEDITER
    BEAUTYEDITER.COM

    ReplyDelete
  44. Oh wow how amazing that you got to see all these designs and meet the author! I would love to see that exhibit. That jacket from Spain is gorgeous, and I wish I had the Nina Ricci dress in my closet!! What amazing pieces!!
    ~Lili
    www.thefashionsalt.com

    ReplyDelete
    Replies
    1. Me too. That Nina Ricci is such an incredible vintage piece xx

      Delete
  45. what a fun time! I love all the cool hats!

    kelseybang.com

    ReplyDelete
  46. Gorgeous pieces, especially that second dress.

    ReplyDelete
  47. It must be quite the experience to come so close and personal to the author and the clothes, Sonia. Must say I never heard of the movie before but then again, it's not my usually genre but I'll make a note to check it out.

    Shireen | Reflection of Sanity

    ReplyDelete
    Replies
    1. It was something extraordinary Shireen xx

      Delete
  48. Just can't go wrong with vintage. Really stunning photos and how lucky for you to be a part of such a wonderful experience.

    Jasmine | The Sixth Disney Princess

    ReplyDelete
  49. WOW you look amazing! Love this Outfit!
    xoxo Lynda
    http://fashion-petite.com/

    ReplyDelete
  50. Oh my gosh it's so cool that you met the author!!! I've not had a chance to read this book/watch the movie yet, but I've heard so many great things. This costume exhibit looks incredible and really is like stepping back in time


    Rachel xx
    http://www.thedailyluxe.net

    ReplyDelete
    Replies
    1. It was amazing to speak to Rosalie. She was so welcoming and very open and honest too xx

      Delete
  51. aw... it looks like a very beautiful exhibition. lucky you! :) Is there always such a good exhibition at your place?

    www.lifewithalk.blogspot.com

    ReplyDelete
  52. WOnderful costumes!

    http://beautyfollower.blogspot.gr/

    ReplyDelete

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